i. Ridic, Redux
LAST MONTH I WROTE about the Power of Political Narrative and the ways Republicans have kept it simple (stupid) and mostly stuck to an inflexible script for the last thirty years. No matter how flawed that script is, in reality, and no matter how many times reality makes a point of pointing out that virtually every talking point—taken as Gospel and enforced as Scripture—results in the opposite of what it claims (Clear Skies Act, etc.), a reckoning never occurs.
As such, we saw austerity when we desperately needed stimulus, coddling of Wall Street cretins when perp walks were well-warranted, craven acquiescence on the Guantanamo catastrophe, “Death Panels” instead of a public option, et cetera. Not that these are the results Obama (or the left) wanted or predicted, but because of—at least in part—the ability of the other side to sling the same excrement at every policy, proposal or achievement, defying a twice-elected leader to bring about change we can believe in. Or pocket change for the middle class. Or something.
Certainly, it sucks to see a party whose signal accomplishment the last two years (doubling down what they did the previous four years) was acting petulant and saying no like a paroxysm rendered Reductio ad absurdum, smug and certain they are about to retake the Senate. By refusing to govern they are likely to be rewarded, not because anyone (even Fox viewers) particularly likes the results, but because they have stuck so steadfastly to the scheme: lay blame on Obama, Democrats, and Government, respectively. At best tolerated (at worst abetted) by a degraded mainstream media they have done this repeatedly, and mostly with impunity.
And because we expect less than little from the intransigent GOP, how can we resent them for proving the cowardice of their convictions? Particularly when the profiles in courage not on display by their political opposition is so…typical. My concern is—and has been for some time—the ways in which Democrats are congenitally incapable of articulating their achievements, and crafting a message that is either compelling or consistent. The shame of it is, all they have to do is tell the truth and it would set them (and the rest of us) free.
I’m not suggesting it’s easy, or that it would be embraced—at least initially. As I argued last month, it’s a hell of a lot less demanding to pick a handful of platitudes and recite them like zealots at a Sunday service. But this is not a matter of formulating counterpoints or rebuttals; it’s about crafting a narrative that is consistent and, as no less a salesman than Henry Kissinger once said, has the added advantage of being true. Naturally, telling the truth does not come naturally to elected officials who are often paid for before they take the oath of office, and this circumstance is further complicated by the question of how many of them really believe in left-of-center principle in the first place. Still, any introductory class in marketing or communications (or English Literature for that matter) will emphasize the importance of narrative; the necessity of telling the story you want to tell.
It’s not that difficult to imagine, and this shit practically writes itself. One speech, early in ’09, wherein Obama declared: “not only am I going to fund these projects, no American who wants to work will go without on my watch. I’m going to spend this money, because it is an investment on people, and you will be able to measure the results immediately. This is a mission on behalf of our well-being, and if you want to judge me in four years, I will take those odds. And if I’m wrong, the worst case scenario will be an early retirement where I can drive across this great nation over new roads and rebuilt bridges, and take advantage of the radically improved infrastructure that these projects made possible. I’ll walk away from the Oval Office happy and proud, because I’ll know we made a difference, and that is what I was elected to do.”
Obama was either too clueless or (worse) haughty to believe he actually needed to make a case, and be ready to fight back against the full-scale war the GOP declared on him the second he was elected. (His refusal to bother himself getting involved in the health care brawls all summer of 2009 is the second largest blunder of his presidency: he not only allowed the malevolent Republicans to define the narrative (wrongly), he let the Tea Party lunatics get a foothold and, with the lack of any consistent, intelligible message, determine that opposing government was the correct, patriotic thing to do. By the time he saw the grammatically-challenged writing on the signs, it was arguably too late. Meanwhile, against all probability, the masses with their pitchforks and flames, had—for lack of a tangible target for the ire—latched on to the Fox-spewed propaganda filling the inexplicable vacuum of what passes, these days, for political discourse.
ii . Coal Mines, Sean Connery and (of course) George Orwell
In The Road to Wigan Pier, George Orwell’s masterful investigation of the English working class, he makes the following observation: Watching coal-miners at work, you realize momentarily what different universes people inhabit.
That succinct, typically clear-eyed assessment has stuck with me because, like so much of what Orwell wrote, it is not tied to any particular period of time. As I get older, I realize this quote can be applied to any number of professions. Put simply, money and means enable certain people to reside in entirely different realities. After one has read Orwell—hopefully at an early enough age that it makes one allergic to relativism and libertarianism—one can’t help but view the world through a sociological lens.
Quite by chance, I just watched an old classic that had been languishing in my Netflix queue: like St. Peter allowing a purgatoried soul into heaven, I finally brought it to metaphorical salvation via my DVD player. It’s one of those movies I’ve heard about many times and hear referenced often enough that I’ve had it on my to-do list for entirely too long. Plus, the notion Richard Harris sharing screen space with Sean Connery was, suffice it to say, enticing. The movie in question, The Molly Maguires, did not do well upon its release and has become something of a cult classic—with an emphasis on the cult.
The story, in a nutshell, involves the gruesome exploitation suffered by Irish immigrants (and workers in general including, of course, young children because this was before Teddy Roosevelt, horrified by the depictions in books like Sinclair’s The Jungle, got inspired to seize some manner of control from Big Business and introduce those quaint concepts of regulation and workers’ rights: in other words, this story takes place precisely in the era that today’s GOP is aggressively working behind the scenes to bring us back to) toiling for paltry pay in the coal mines.
If you are imagining an environment where safety was tenuous and the conditions were barbaric at best, you are not incorrect. It is also a workplace where the owners controlled everything, including the breaks not given and the payment not rendered. In one illuminating scene the new employee (Harris) stands in line to get his weekly wages: the boss adds up the coal collected and announces the amount; Harris smiles. Then the boss subtracts the damaged tools, the wear-and-tear (a 19th C. version of “administrative fees”) and the final amount is reduced from nine bucks and change to just change. As Harris stands in disbelief the boss, flanked on either side by police officers, glowers at him and says “Next!” If that sounds too much like a bad out-take from It’s A Wonderful Life, check yourself: these are the conditions that absolutely existed, as men like Sinclair (and later, George Orwell, of course) observed and reported.
The reason the movie was probably unsuccessful, and the reason the timing of my first viewing is serendipitous, is because of the subject matter: way before unions existed; circumstances were suitably dire that the use of drastic measures were required, and understandable. As a result, a group of protestors (or terrorists, depending on what century you live in and what newspapers you read) took to undermining the mine’s profitability by using incendiary tactics, literally. Harris, the “good guy” is a paid detective assigned to infiltrate this mob and help the honchos crush the uprising by killing the culprits. If this sounds a bit familiar, the story is based in large part on true events inspired by the reprehensible actions of the Pinkertons, who operated kind of like union busters before unions existed.
The movie is clever: by making Connery grim and uncharismatic (no mean feat considering this is Mr. Shaken, Not Stirred we are talking about) and playing up Harris’s roguish charm (yes, that is a cliché but if anyone could ever be said to possess roguish charm it’s the ever-ebullient but burly Harris), the viewer is almost conned into empathizing with, and rooting for the putative protagonist. Only after the film concludes does it finally—and fully—occur to the viewer: if the movie had been shot, or written differently we would be pulling for the “bad guys” all along. And that is the point. If the movie was told from the alternate point of view, it would have been preachy, unconvincing and free of emotional conflict. Which is exactly why it’s a good movie and most likely why it did not set the box office on fire. It also might make one recall the other chestnut (speaking of clichés) about history being written by the victors, the power of language to shape story and the mechanisms always at work to manufacture how reality is perceived.
iii. The Medium Remains the Message
As we stare down the ignoble specter of the GOP taking back the Senate next month, it is at once exasperating yet simple to see how we got here. Yes, the Democrats’ incompetence at crafting an actionable narrative has, at best, enabled the Republicans to proselytize their fealty to an ever-more-free market. But at least when they try (see: Clinton and Obama in campaign mode), they can compete, and occasionally win (!). The deeper and more disturbing issue is the way they’ve abandoned the very middle class their policies demonstrably support.
What has long befuddled me is that, even if you can cynically concede that even Democrats tread lightly before their corporate masters these days, it makes political sense to maintain a healthy relationship with unions. During the Tea Party shenanigans in ’09, I kept asking myself: when is our chronically aloof commander-in-chief going to start reminding everyone that this big bad government has historically been the bulwark between the people and an Industrial Revolution lifestyle? Does it need to actually get to the point where the Republican Party literally says “let them eat cake” before people start to realize wages are stagnating, prices are rising and the only people getting fat are the wealthiest one percent? Apparently it does.
Feel-good (or, feel-bad) lip service is paid to the undeniable, growing discrepancy of salaries paid and taxes not collected on the makers vs. the takers, but the song remains the same (see: a dose Romney, a dash of Ayn Rand and an unhealthy smattering of Religulous paranoia to expedite a state like Kansas acquiescing itself into fiefdom). And we’ve not come to terms with the fact that the wealthiest percentile don’t just look down on—or worse, ignore—their lesser brethren. They neither understand nor want to understand: they contemplate the impoverished the way many of us might ponder serial hoarders: we see it, are disgusted by it, and wouldn’t ever want to be like them, but we simply can’t fathom how they got to be that way; what happened to make them so unreasonable.
What Orwell articulated so well, in part because it was (is?) so stark and systemic across the pond, is the way class is at once an explanation and excuse for imbalance—not only in practical and political terms, but as ingrained disposition: things are this way because they’ve always been this way. After a while, injustice just seems to be the natural order of things. Okay, but it’s supposed to be different in America. We ostensibly have laws and systems in place to prevent unchecked stratification. That we can’t quite challenge—or even believe—what our lying eyes tell us is, again, what the Reagan Revolution has wrought. However much he has disappointed, it’s certainly not (only) Obama’s fault that his party has generally avoided the entire issue of class for practically half-a-century.
But even if the seemingly unsophisticated battle to prove the relative benevolence of government (or compassionate conservatism—ha!) seems a non-starter in 2014, it should not require too much PowerPoint proficiency to compile a quick commentary about what unions have wrought: minimum wage, forty-hour work weeks, health insurance, pensions, vacations, sick-leave, etc. All of the things people assume exist as an evolved conciliation, or were always just sort of there; or best of all, were the inevitable rewards of laissez-faire philosophy until big government came along and screwed everything up.
Regardless of her short-term political (e.g. presidential) aspirations, Elizabeth Warren—and the Yes-We-Can-type approbation she’s accruing—is, if nothing else, an indication that at least one notable liberal understands the power of going back to the future. The fact that someone like her (or Bernie Sanders, for that matter) exists is encouraging, but the fact that people are responding to this message should translate to a broader game plan, the sooner the better.
No matter what happens next month, it can hopefully provide sufficient momentum for the marble-mouthed Democrats to cobble together some cohesive messaging en route to 2016. One would think the mere act of pointing out the truth would not require heavy-lifting and soul-searching (but those without souls, admittedly, can have difficulty here). Again, I do not count on any of these center-left pols to suddenly find religion, so to speak, but presumably they can grasp that there is a purely political advantage to being on the right side of the middle class, not to mention history.
This piece originally appeared at The Weeklings on 10/22/2014.
