Original Poem: Howlin’ Wolf’s Harp
It was a huge thrill to have my poem "Billie Holiday's Deathbed" published (and nominated for a Pushcart Prize) by Decolonial Passage and I'm equally happy to see my new…
It was a huge thrill to have my poem "Billie Holiday's Deathbed" published (and nominated for a Pushcart Prize) by Decolonial Passage and I'm equally happy to see my new…
My thanks to the excellent journal 805 Lit + Art for publishing my poem Hagler and Hearns, 1985. I'm especially grateful because, let's face it, arguably the only thing more…
Charles Mingus had many things to say, and he used his mouth, his pen, his fists, and mostly his music to say them. Of the myriad words that describe Mingus, passionate would…
The Barns of Rose Hill partnered with 1455 Literary Arts for a special reading with Sean Murphy, who read from his new collection The Blackened Blues, accompanied by pianist Quentin…
Last night’s continuation of 1455’s Author Series was a profound pleasure on both professional and personal levels. I can accurately describe myself as both fan and friend of the extraordinary…
If Ian McDonald had done nothing other than be a crucial (arguably the crucial) member of the band that, in 1969, recorded the album that launched a thousand pretentious, proggy,…
Who wouldn't be published in a journal named The Decadent Review? I would (and fortunately, have already done so). As such, it's with great joy that I see my poem…
Coats and Hats / Thelonious Monk by Martel Chapman Once again gratitude to the good team at Jerry Jazz Musician for championing my work. This poem actually appeared late last…
The World is Our Oyster, or Maybe Vice Versa In uncertain times, one thing remains immutable: storytelling is crucial and people can --and must-- find ways to create, share, and…
Huge gratitude to Leah Elimeliah, the mastermind of WordShedNYC, for curating this reading and Q&A, 1455’s last official event of 2021! (Leah also participated in the 2021 Summer Fest and her poetry appears in…