Nat Hentoff: Great American Hero
Spiderman, I suppose, came first. Six or seven, comic book in hand, convinced there was no one cooler, no one more righteous, no one else I’d rather be. After a…
Spiderman, I suppose, came first. Six or seven, comic book in hand, convinced there was no one cooler, no one more righteous, no one else I’d rather be. After a…
First there's the solo by Jimmy Garrison; actually it's a soliloquy, as eloquent and convincing --urgent yet calm in its confidence-- as any extended statement on bass by anyone in…
For those whose definition of genius is either too encompassing or excessively narrow, John Coltrane poses no problems: there isn’t anyone who knows anything about music (in general) and jazz…
New York City would be unimaginable without jazz, and vice versa. Here then is a tribute for --and by-- several musicians who help define and celebrate the cultural mecca of…
Bobby Hutcherson was not just a major, and positive force for good in the jazz idiom, he was a genuine innovator. Before him, the vibraphone was largely considered a novelty…
Today would have been (and, still is) Charles Mingus’s 94th birthday. I’ve written about him often and I’ll continue to write about him, not only because he is one of…
Orrin Keepnews frequently talked about jazz the way war veterans will talk about experiences on the front lines. There were at least two reasons for this. One, it was never…
(*Saxophone player Shafi Hadi, born Curtis Porter, is best-known for his association with jazz legend Charles Mingus, and played on the seminal recording Mingus Ah Um, from 1959. He dropped…
The name alone is epic: Sonny Sharrock. I won't resist the urge, because I can't, to pick a low-hanging pun and opine that Sonny put the rock back in jazz.…
HOW TO TALK ABOUT JAZZ MUSIC? Well, perhaps it’s better to determine how not to talk about jazz music. Hearing is believing. That’s all there is to it. And if…