Victory and Sorrow: Bright Moments from Three Masters (Revisited)
Sean MurphyHOW TO TALK ABOUT JAZZ MUSIC? Well, perhaps it’s better to determine how not to talk about jazz music. Hearing is believing. That’s all there is to it. And if…
O’Connor and Coltrane: Saints of American Art
i. I never, until this year, made the explicit connection between John Coltrane and Flannery O’Connor. Why should I have? One was an introverted white woman, a southern writer who…
Stop Me If You’ve Heard This One Before* (Revisited)
Let me tell you a story. It involves a white male born in a steadily prospering town to a slowly prospering family. His father, the first in his Irish family…
Emotional feedback on a timeless wavelength: Rush’s ‘Permanent Waves’ (Revisited)
How unbelievably appropriate that Permanent Waves was released on January 1, 1980? In virtually every regard, this album ended the '70s (literally) and foreshadowed the fertile grounds (reggae, pop elements,…