Weird Scenes Inside the Gold Mine: Part Two

Picking up where we left off yesterday (which, in case you missed it, is HERE) and continuing the celebration (of the lizard), let’s pick five more vintage vinyls.

If your parents didn’t have a copy of this one, we now know why you turned out the way you did (just kidding…sort of). Too many slices of perfection to pick from, but I have to go with my go-to anthem: when all else fails, I have my books and my poetry to protect me. Preach it, Paul!

Ah, Yes. (Much more on them in THIS series.) This is another one from my grade school boy’s old man, bless his soul. I snatched this one up for the FM staple “Roundabout” but was quickly converted to the greater glories of prog-rock masterpieces “South Side of the Sky” (Wakeman!) and “Long Distance Run Around” (Wakeman!), but the one that does it best, to this day, is “Heart of the Sunrise”. Not for nothing was Fragile one of the first CDs I acquired. I still have it; I still listen to it. A lot.

The Runt! This is one salvaged from my friend’s attic. Here is one I wish I had been “of age” in the 70s to properly enjoy. Having this one, on vinyl, back in the day? The only thing slightly less satisfying is having it on vinyl, today. And no way I can only choose one from this double-LP, so one from each record (sides one and four for anyone keeping score at home). Two slices of pop perfection: BAM!

“I Saw The Light”:

“Hello, It’s Me”:

I originally acquired their fourth album for “Stairway To Heaven” and eventually understood that it was the eighth best song on the album (just kidding…sort of). I saved up my money for Physical Graffiti (I still remember the day I got that: during the first quarter break in 8th grade, at the Waxie Maxies in Sterling, next to the double-decker McDonalds…I KNOW!) so I could have “Kashmir” to listen to and enjoy anytime I wanted. I eventually understood that it was the best song they ever did (not kidding…maybe). Pound for pound, and there is tonnage on this baby, this gives me as much joy as practically any album I’ve ever owned. It’s so wonderful to know I still have the original in my milk crate. One from each record:

“Houses of the Holy”:

“In The Light” (which kicks off one of most sublime sides of any album from any era by anyone):

Okay. Now we are getting into the belly of the beast. This was what I wanted for Christmas in 1978 (3rd grade) and this is what I got. Kiss was my first love, and I will always praise my parents for indulging me. By 4th grade I had moved on to The Beatles and in 5th grade the trifecta of Zeppelin, Hendrix and The Doors put me off (or on?) the grid forever. But the gateway to more meaningful music (yeah, you read that right) began with a bunch of New Yorkers who wore make-up. Kiss was arguably the biggest (or at least hottest, as in, YOU WANTED THE BEST AND YOU GOT THE BEST: THE HOTTEST BAND IN THE WORLD, KISS!) band going, so it was an embarrassment of riches when they dropped solo albums. The audacity! The ambition! The…horror. Other than Gene’s, which was tolerable, Peter’s (unsurprisingly) sort of sucked, and Paul’s (surprisingly) really sucked. But Ace’s was a revelation. It sounded incredibly, unbelievably good, then. It still does, today. I’d go toe-to-toe with anyone who wanted to debate the merits of this semi-masterpiece. Even if he was already greasing his own skids into drug-induced oblivion, Ace never sang or played more clearly or convincingly. Indeed, the entire album is a clinic of dexterity, pop-craft smarts and irresistible sing-along anthems. It’s a gem that still sparkles, shamelessly, in my collection. Sidenote: I still hear the epic solo in the first track with a jarring pause, because my original copy had an unfortunate skip (something we must acknowledge even as we extoll the glories of wax: sometimes brand new copies came defective). I listened to it so many times back in the day that even when I eventually upgraded to CD, I did –and do– still hear it the wrong way, and if that’s wrong I don’t wanna be right! Sidenote two: I’m inclined, on principle, to embed every single song from this fucka, but I intend to eventually do a proper assessment of this album, so be warned!

Bonus album: long live the inside cover gatefold, ’60s style!

“Summer’s Almost Gone” (7th grade and Susie Willess…yes, I’ll name names. Oh my God. OH MY GOD.)

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