Albert Hofmann, R.I.P.

Talk about better living through chemistry!

Albert Hofmann, the chemist who invented/discovered LSD, has passed away at the dignified, enviable age of 102.

On April 16, 1943, he made history.

On April 19, 1943 he described it.

“In a dreamlike state, with eyes closed (I found the daylight to be unpleasantly glaring), I perceived an uninterrupted stream of fantastic pictures, extraordinary shapes with intense, kaleidoscopic play of colors. After some two hours this condition faded away.”

More on his life HERE and HERE.

Debate did, and does, rage about the benefits and risks (intelligent and honest debate considers both) of psychedelics in general and LSD in particular. Being a chemical, and being demonstrably more intense, LSD is a bit easier to defame (and criminalize), whereas psilocybin (magic mushrooms) grow in the earth and, like marijuana, resist easy condemnation. Unlike alcohol or cigarettes, the mushrooms and green plants that grow in the ground are, quite literally, natural.

Here’s Bill Hicks, perhaps the most articulate (and convincing) proponent of the possibilities of hallucinogens:

And more:

How many well-meaning, but unwatchable scenes have attempted to capture some aspect of a psychedelic experience? Here’s one of the more powerful ones, from one of the better movies:

Easy to romanticize, easy to ridicule, in reality very complicated, the potential triumph and terror of use/abuse of LSD can be summed up in two words: Syd Barrett (much more on him HERE). A snippet:

So what happened? Theories and stories abound, but all you need to do is look at the pictures. Before, during, and just after the release of their debut, Syd is, quite simply, a specimen. Even if you never heard him play or sing, he had charisma and beauty to burn, and it is easy to understand why so many people attached themselves to him. By the time David Gilmour—whom the frantic bandmates recruited to at first fill in for, and later replace, their increasingly erratic leader—begins turning up in group photos, Barrett has dark trenches under his eyes and is already perfecting the thousand-yard stare Roger Waters would later immortalize (“Now there’s a look in your eyes / Like black holes in the sky”). Was it drugs? Schizophrenia? Probably both, possibly neither, but everyone who was there attests that Barrett went from experimenting to ingesting, and that his intake of LSD went from awe-inspiring to alarming in a matter of months. Certainly the rapid (too rapid?) ascent from paisley underground to Top of the Pops would potentially prove dodgy for any sensitive soul who may have happened to be a genius. Add those drugs and the likelihood of a preexisting condition, and the resulting damage was best, if most starkly, described by Syd himself: “I tattooed my brain all the way…”

The next part is where it gets intriguing, if still unresolved. That Barrett saw his shot at superstardom dissipate into the darkening circles of his bruised brain is more than a little tragic. That we have a soundtrack to some of that dissolution, as both an artistic and human document, is more than a little miraculous. Whatever one thinks of the work he recorded post-Pink Floyd (and opinions, predictably, are all over the place), arguably not since Vincent Van Gogh and Edgar Allan Poe have we seen, for posterity, such poignant creative evidence of an aggravated, altered psyche pushed well past endurable limits.

Put another way, here is Barrett, pre-and-post disintegration, a stunning example of the ways he expanded his mind and art, and a horrifying illumination of the damage he did:

His bandmates carried on without him and went on to make history. Along the way they made one of the best sonic explorations of all-things psychedlic, the soundrack to the film More (more on that, and them, HERE and HERE). The single best song concerning what one may see/hear/feel during a trip is, in my opinion, the surreal, shimmering “Quicksilver”.

I’ve always been intrigued (and more than a little haunted) by the sounds and images (the band and especially the crowd) of Country Joe and the Fish playing “Section 43″ at Monterey. Definitely some happy hippies caught on film:

For me, the entire story could –and perhaps should– be synthesized (see what I did there?) in a single one-minute scene:

To be cont’d…

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The Truth About Cats & Dogs

Let’s go to the videotape.

Dogs:

Cats:

Any further questions?

(Two disclaimers: the cat with the door stopper is genius, and all kittens are cute and can therefore be forgiven for their antics.)

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End of Summer (Camp) with a Bat, a Cat and a Clown (Revisited)

It is an inexorable, if lamentable rite of passage to revisit cultural mementos from one’s childhood and discover that, to an adult’s eyes, they are lacking.

But then, “putting away childish things” is one of the ways we avoid arrested development, a condition that impairs critical faculties, stymies meaningful relationships and makes one susceptible to things like libertarianism. (If, for instance, you re-read Ayn Rand and her porcine-fisted prose and sophomoric metaphysics still seem eloquent, you’ve got some growing up to do; if you encounter her pulp for the first time as an adult and are inexplicably smitten, you are, unfortunately, a lost cause, both morally and intellectually.)

When I was a child, you would have had to pry my bowl of Boo Berry from my cold, dead hand; now I understand my teeth would rot on contact, even if I were able to score a box online (apparently this is possible; this is America). I used to think a Big Mac (washed down with that non-carbonated orange drink, obviously) was the height of culinary bliss, a sort of pre-adolescent ambrosia. I thought scary movies were, well, scary. In other words, I thought a lot of things. I was even correct about one or two of them.

I thought, for instance, that the Batman TV series was amazing. It turns out I was wrong. It’s not amazing; it’s better.

Bear with me. When’s the last time you saw (when’s the last time you thought about) Batman and imagined Adam West instead of, say, Christian Bale or Heath Ledger or Jack Nicholson, etc.?

It probably has been a while because, apparently, the old episodes are currently unavailable via Netflix or even to purchase. (Wow, this has been a controversial dilemma for some time apparently; there is a whole section of the Wikipedia page dedicated to it…one shudders to think of all the hardcore comic book collectors who are –and have been– incensed about this.) The show does still get airplay on certain TV channels. I know this because I have friends who have kids. Quite serendipitously, I was babysitting one of these little cherubs and per her request (!) we caught a couple of old school episodes. I am here to tell you, without shame and with inexplicable enthusiasm, it was something of a revelation.

There are several angles I could take here, but my rekindled interest (bordering on infatuation?) can be reduced to two words: Cesar Romero. The “O.J.” (as in, Original Joker).

Folks, anyone born after 1980-ish probably can’t appreciate this, but for people of my generation, Cesar Romero was The Joker. I sort of recall reading the occasional comic book but don’t have any lingering memories of how he translated on the page. I do have memories of the laugh, the green hair, the purple suit and the maniacal, unhinged hilarity that managed to be hilarious and horrifying. What I did not recall, since I was a kid at the time, was how iredeemably, magnificently campy the show was. I certainly recall that the original Superman never resonated with me, in part because that show was not old school, it was antediluvian school. Plus, the George Reeves incarnation was always a tad too fascistic for my delicate sensibilities (holy shit, did anyone know George Reeves died by a bullet wound that may have been suicide? Holy irony, Batman.) Then again, I’ve never been much of a Superman guy; in my formative years it was always Batman and Spiderman, both of whom were (by turns) funnier, darker and more human.

Anyway, back to The Joker. Obviously Jack Nicholson was tapping into that campy vibe, but his role, however amusing, was over-the-top in ways that don’t age particularly well (kind of like the first movie). Not many people would argue that Heath Ledger’s pitch-black (though still sardonic) take was not a huge improvement. Nevertheless, before we crown Ledger’s uncanny performance the final word on the subject, we are obliged to return to the beginning. Have you forgotten how unbelievably perfect Cesar Romero was? Check it out, courtesy of YouTube:

Any questions?

Maybe it’s the fact that he was a bit older, and of Cuban/Italian descent that gave him that subtly exotic, almost indescribably outre edge. This is The Joker I grew up with, and it’s the only arch villain I can imagine actually rooting for –as a child or an adult. Just reading about Romero makes me happy. Check this out. The fact that he refused to shave his mustache (his decades-old trademark) is so genius I can scarcely convey my joy and admiration. How perfect is that? The most incorrigible fiend played by an incorrigible, image-conscious movie star with prima donna tendencies? Bliss. (And extra marks: if you look at photos or, if you’re smart, find some clips online, you can totally see the impossible-to-conceal ‘stache in each episode.) Truth is always odder and better than even the best fiction.

And let’s do a quick sidebar for how great the other bad guys were. Burgess Meredith as The Penguin, anyone? Yes, please. And don’t sleep on Frank Gorshin as The Riddler. That is an untouchable criminal triptych that could not possibly be improved upon. (For irrefutable evidence of this claim, please appreciate this clip from the movie, wherein we have Penguin fencing with Batman (making appropriate Penguin noises), Romero’s brown hair obvious under the wig and The Riddler doing some bad ballet on board a boat –skip to the three minute mark for the most epic fight scene that ever includes the words “Bon voyage Pussy”):

And lest we forget (how could we forget?) there is Catwoman. Can I get an Amen? I’m a rather huge fan of Lee Meriwether (in clip above, from film) and everyone has to appreciate the incomparable Eartha Kitt (from Season Three). But let’s not kid ourselves here: it’s all about Julie Newmar.

 

 

 

 

 

While I offer serious props to the benevolent citizen who put the Joker clips together, I’m incredibly disappointed that some turbo nerd has not compiled a Catwoman montage: get on that Internets!

And don’t think I’m sleeping on Adam West. I won’t (can’t?) compare him to the subsequent Batmen played in the various movies, but kind of like with The Joker, he did it first and he did it best. He is Batman. A gentleman, a humanitarian, a…dork. His (West’s) goofiness can’t be overstated, and that humanity gives the character a distinct vulnerability. How can you not love this guy?

So in addition to everything else, it’s possible that Batman was the first series to jump the shark (or at least repel the shark). Consider the clip, below: obviously the series was straining to keep its edge (or appeal, or whatever) and by season three the producers/writers seemed to understand that what may have worked in 1965 was not registering in 1967. The world, of course, was changing. Hence, we have the most campy (and sublime) few moments of TV I can ever recall watching: Batman and Joker surfing. In shark-infested waters, obviously. With real surfers cheering from shore. With bathing suits over their costumes. This is a line in the sand: you are either with me or against me. I defy you to watch this clip and not join the party.

Wow, one never knows what is available on the Internet. Check this out! (Yes, he raises his hand and says “Peace” at the end. Thank you Mr. West.)

Summer may be winding down and all of us are getting older every second, but retaining a child-like joy for certain things is still the best way to keep age and cynicism at bay.

Peace.

Bonus footage (to make up for the YouTube removal of the epic Joker montage, above):

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*Pig Parts Sold Separately.

I don’t know about you, but after a tough day at the office, few things unwind me faster than busting out my broadsword and going to work on some animal flesh.

And if I don’t have any fresh kill available, sometimes bamboo, or thick rope, or huge chunks of ice, or the ever reliable chain-mail will do the trick.

That’s all I got. Look at video below. This, friends, is how you win at the Internet.

(Huge hat-tip to my boy JC for making sure I saw this.)

And yet, it’s not a joke: these guys are for real.

Which means there is a market for swords. And not just swords, but functional swords that can actually do things (like slice through swine snouts, or boots filled with pork parts, or repel aggressive intruders, or simply enable –if not oblige– you to stand in front of the mirror and be that guy).

And for only $569 you can own one too!

(My favorite part? Um…you mean besides the guys in the faux castle going to work on these various objects? Maybe the soundtrack? The super slo-mo? Or the fantasy of rolling into my local butcher, ordering a half-rack of cow and, when the man behind the counter asks how I’d like the cuts prepared, replying “No worries bro, I got it covered.”)

I never played Dungeons and Dragons and I don’t go to Renaissance Fairs. I’m also neither criminally paranoid nor did I spend significant post-college time in my parents’ basement, so I’m having a difficult time understanding the appeal, or who these products are designed for. All I know is I have not seen farm animals get terminated with such extreme prejudice since the epic –and appalling– anti-climax of Apocalypse Now.

But that matters less than the video. I urge you to watch it. I dare you not to reach for your wallet by the mid-way mark (Just kidding. Kind of).

Myself, I have no interest in shooting fire-arms, but if someone wanted to let me borrow one of these swords and attack a field full of carefully planted obstacles, I reckon I’d be game.

And it would be done with the full knowledge that I could never hope to be as cool, or pwn a dead pig, like these dudes.

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A Joyful Noise

This is not the first dog/soldier reunion video I’ve seen. It may not even be the best one (though they are all wonderful in their way). But it is probably the most perfect one.

Anyone who has loved a dog will appreciate –and recognize– the myriad emotions (ranging from happy to ecstatic) that are all playing out simultaneously.

The dog is obviously surprised, then delighted, then happy, then ecstatic, then confused, then giddy, then remembers he has his ball in his mouth and he’d love to let his guard down but business is business….and the sounds that ensue are the glorious gamut of canine communication: barks and yelps suppressed by the toy he is still munching on, and a paralysis of sorts: he is unable to jump up because he is still confused/excited, and he can’t bark properly because of the ball, he is crying from pleasure (when a dog actually cries from joy it is one of the more pure distillations of emotion any creature is capable of conveying), and he is looking/dashing around as if to say to the others: “Do you see who is home? Can you believe it?”

The noises (funny, touching, genius) this dog makes are some of the best noises I’ve heard in a long time.

The fact that the soldier is home safe is pretty awesome too.

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Dick Clark, R.I.P.

This is the face I remember, and the one I’ll recall most fondly. It’s nice to see the ones when he (impossibly) looked even younger or the ones where he (impossibly) looked so much older, but this is the face indelibly imprinted in my mind.

As a child of the ’70s, I got to know Dick Clark once he was already a legend, but before he became the ubiquitous go-to guy for everything from new music to New Year’s Eve. He was New Year’s Eve and for that alone, he will be remembered fondly. Plenty of other outlets will dutifully report his myriad, mind-boggling (in terms of variance and success) enterprises. Mostly he was famous for being who he was: Dick (motherfucking) Clark.

Here’s the thing: I’ve long since acknowledged that it’s only going to get more difficult for folks from my general generation to behold all the heroes (the super and the super-sized) dropping like flies as time marches unkindly on.

Still, there are a handful of larger than life archetypes who we could never imagine dying, and will probably never reconcile no longer having around. Clint Eastwood is one; Keith Richards is another. But both of those dudes, for very different reasons (aside, of course, from the beastly burden of time not being on any of our sides) have worn their age on their faces: it has lent character and augmented gravitas. It has reminded us that even our gods play by rules they could not create. But Dick Clark was different, if for no other reason that he looked pretty much the same for decades. He was a real-life Dorian Gray, and it almost made sense that he sold his soul: how else could you get that rich, seem that happy and make that much money unless darker forces were pulling the proverbial strings? Even worse (for the haters and cynics), his act was genuine; it wasn’t even an act. Check out some interviews: he had no illusions what he did and what he had done (i.e., he wasn’t kidding anyone about his lasting imprint on the cultural landscape, but of course that is usually something only people who write about the culture from the outside looking in bother to obsess about, or better yet, people who have not made the money or connections to have any real impact). He talked about bringing a modicum of escape and pleasure to the people: no more, no less. And it worked. People responded to him and his ideas for a reason: they worked. He worked: as a concept, as a celebrity.

It didn’t seem like he would ever age, much less die.

Then he had his stroke. That was tough enough (nobody wants to see anyone suffer, but it’s always harder to see the strong ones surrender to the illimitable forces of Nature who, as we all know, is a Bitch). But he kept on rocking New Year’s Eve. What was he supposed to do, sit at home and watch? No, he had to be Dick Clark because no one else could be. That was his legacy, this is what gave his life (our lives, at least for a few minutes every December 31) more meaning. Yes, it was painful to watch –and hear– him, however bravely, soldier through those countdowns (particularly with the oleaginous Ryan Seacrest breathing down his neck). But I’m glad he did, and I’m certain I’m not alone. The only thing that would have been more intolerable than seeing this once-impregnable institution showing the slings and arrows of outrageous –but no longer impossible– fortune would have been hearing that he was at home, in a chair, watching what only he could do.

No one else will do it like he did. No one else will do a lot of things like him. That is what we mean when we say someone was one-of-a-kind.

Dick Clark didn’t cure cancer or feed the foodless, and he never claimed he was trying to. He didn’t do anything other than make the world a bit less serious and a tad more enjoyable. How many people can we honestly say that about?

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Robert E. Simon, 98 Years Young

Robert E. Simon, the man who named the town I live in (R.E.S.ton, get it?) turns 98 today.

Here he is, in 2006, on the balcony outside his penthouse suite at Heron House, which overlooks Lake Anne (one of several man-made lakes in Reston) on Lake Anne Plaza, the first of many “village centers”. (Old school street cred question number one: Do you remember Hunters Woods Plaza? Old school street cred question number two: Do you miss it? The second question is rhetorical, otherwise you are not old school.)

(For a history of Reston, check this out. For a less official history –or love letter– from a kid who grew up and has lived most of his life here, check this out.)

Who took this picture, you may be asking yourself.

I did.

And how did I happen to have the opportunity to be kicking it with Robert Simon, you are perfectly entitled to inquire.

Well…long story short is that I wrote a novel that takes place in a town never named but bearing a more-than-passing resemblance to Reston. In a sense, the town is the central character; it’s the typical coming-of-age novel, and a young-ish dude (who bears a more-than-passing resemblance to the author) –as well as the town– are confronting the inevitable interstices of time and memory. It’s equal parts earnest, yearning and pretentious. Typical first novel. Anyway, my goal was to have the man who created this town (this character) see some relevant sections before one of us died (or it got published). Since it looked –and looks– like one of us will die before it ever does get published, I took matters into my own hands and did the courageous thing: I left it outside his door. Imagine my surprise when he called me and told me he loved it, and wanted to meet.

We eventually got together for lunch (I was hoping to do drinks and dinner), and of course we patronized one of the restaurants at the plaza. When I arrived, a few minutes after noon, he was already seated and had a glass of white wine in front of him. I’m a stickler for time, he said. (Takeaway: if this had been a job interview I would not have gotten the job.)

What followed was a fascinating, humbling hour where I was content to ask questions and listen to whatever he cared to tell me. (Some of the things are echoed in this nice, brief intereview with him, here. There’s another one here.)

I was struck –and impressed– with his candor and disdain he still felt for the people who (he felt) screwed up his vision. For instance: the Reston Towncenter was always part of the plan, but it was supposed to extend from where the Target is to where the Home Depot is (think about that!) and he remains disappointed that we resorted to strip malls instead of plazas, which integrate housing and commerce. He also remains a little bitter about the way he was forced out and unable to execute full control over his evolving vision (see history in link above). Between the glass of vino and the righteous indignation, it was easy to see how he had managed to make it well into his 90s. And that was six years ago!

In any event, it was quite gratifying to be able to convey to him how much it meant to me to grow up in a planned community that had soul and saved trees. That had bikepaths and encouraged cultural diversity. That expanded but never turned former farmland into a concrete clusterfuck. I told him I was speaking for dozens, probably thousands of other kids fortunate enough to grow up in the town he created.

(I scored my first soccer goal at Wainwright fields and still play basketball at Lake Anne Elementary –about 100 yards away. I learned how to ride a bike on Scandia Circle and learned how to navigate a stick-shift on Wiehle Drive. I caught my first fish in Carter Pond and skinny-dipped in Lake Audobon. I waited tables on Lake Anne Plaza and waited tables at Reston Towncenter. I rode my bike on the W&OD trail to Penguin Feathers and ride my bike on the W&OD trail past the still-verdant landscape between Reston and Vienna. I bought pop rocks at the 7-Eleven and bought my first beers at the 7-Eleven. I bought my first property and will never sell it. The place I called home is still the place I call home.)

There was a lot more I could have said and a lot more I wanted to hear.

What else could I have said; what more did I need to hear?

See you on the plaza at noon, this Saturday.

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3.14: Happy Pi Day

If you’ve never seen Pi, Darren Aronofsky’s first (and best) movie, I strongly encourage you to check it out.

(Hint: it’s not just a number; it’s a concept of existence. Or something. Even a math illiterate like myself can appreciate how numbers and pure calculations describe and define multiple aspects of what we call reality. That doesn’t mean I endorse being force-fed Algebra as a teenager.)

Pi is not just for math geeks, as both Aronofsky and Kate Bush (to take two notable examples) have proven.

(If Kate Bush had been my Geometry teacher I may have paid more attention in class. I may have learned something. I may have even come by after school in hopes of some tutoring. I may have wanted otehr things as well. I still do.)

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Tasting China The Way Peter Chang Intended (Revisited)


And I only am escaped alone to tell thee.

Well, it felt that way as I drove alone, into the deep country dark of 29 North, heading for the place I used to call home. But I knew, as I put distance between where I was going and where I had been, the fulcrum that balanced my appetites, my bearings and possibly my sanity had been permanently put asunder. That a destination had been forever elevated to a point of depature, a siren song that would assail my ears and lure me back again and…

Well, not necessarily.

But having drunk deeply from the broth of the gods, and, filled with that savory and soul-affirming stuff, I could never possibly look at the world the same…

Okay, not exactly.

But I had eaten a meal from a menu designed by a man that some seem to worship, and others have treated like a holy pilgrimage, travelling great distances not unlike those three sojourners followed the brightest star, which guided them through the desert to a manger on that cold night over two centuries…

Well, you get the picture.

I had come to Charlottesville to visit my boy Jamey, the genius behind Barlow Brewing (and I don’t throw that word around lightly: this guy makes homebrews like nobody’s business; so much so that I want it to become his business and I can buy his beers, all the time, in support of his eventual, inevitable empire), and, in his blessed company, eat, drink and be merry. There was some drinking and merriment, but after we got around to eating, that was all she wrote. All that was left, after that meal, was surviving.

I’ve heard, and been guilty of using, the banal expression “food coma” before, and while I’ve stuffed myself beyond what I figured was a reasonable capacity on a couple of occasions, I’d never really had any firsthand experience with what some people must be talking about when they talk about food comas. For starters, I ate more than my fill; we all did. I ate the way an indulged golden retriever will scarf down snausages so long as an irresponsible owner continues making them available. (I don’t want to shoehorn, or belabor the implicit Pavlovian metaphor, but there is no question that, after only one meal, I am confident Chef Chang could make me salivate on command as soon as I smelled whatever he was tossing inside his magic wok.) You think I’m kidding? Get a load of this appetizer:

Oh, did I mention that I was eating at Taste of China?

Where? You may have heard of it. No, really. This place, and especially its enigmatic rock star chef Peter Chang, have been the subject of recent features in The Oxford American (by brilliant food critic Todd Kliman) as well as a slightly popular publication called The New Yorker (by Calvin Trillin).

I wish I could say I discerned an awkward tension in the air, a sense of urgency muted by ambivalence: a sort of preemptive resignation that the chef, the great man who had made these crowds flock to an unassuming strip mall on the first warm Saturday of the year (following the longest and most brutal winter most folks can recall ever having suffered through and who would, under any other circumstances, be grilling out or sunbathing or washing their cars or scooping dog shit in their backyards –anything so long as they were outside soaking in this sublime air) was about to do what he always does. Leave.

But the reality was that it looked like exactly what it was: an extremely busy restaurant during dinner service. No more and no less. But there was an electricity in the air; the type of heat that is generated when a particular event is lit by the combined buzz of hope and expectation. Everyone in the restaurant was aware of it: looking at each other, looking at the plates in front of them and especially on other tables, looking at the wait staff gliding and humming through the maze of tables like tuxedoed worker bees, looking toward the kitchen door at the back of the room to see if perhaps he would make an appearance. This was the kind of vibe that people in urban hot spots crave and people who can only read about them covet. This must be what it’s like to secure a reservation at a hot new club in New York City, except for the refreshing lack of hipsters, posers and the fat-walleted fuckwads who cash in their souls for cachet, all out of a sybaritic impulse to separate themselves from the hoi polloi.

Well, let’s keep it real: how many people (like myself) were here because they read about it and knew they had to come here? Certainly, there were more than a fair share of folks who just reckoned this was the hip (but not hipster!) place in which to add a notch to their culinary belts. But any venue, in any town, is going to inexorably attract the remoras who want to latch on to cultural shark. Bottom line: Taste of China is located in a fucking strip mall! That’s called keeping it real ’til it flatlines.

Back to that food coma. We ate, and ate, and we ate some more. If they had kept bringing food, we would have packed it in until we crumbled out of our chairs. And then we would have fallen on all fours and lapped it up like the aforementioned golden retriever. You’ll notice I’m not talking about the actual dishes or what they tasted like. For a sense of how good the food is, and the types of flavors and surprises it combines, check out the Kliman article: it’s a fantastic piece of journalism and Kliman is a more than capable food critic. I will say that while I’m unabashed about going deep as often as I can afford to (financially and gastronomically), most of my previous experiences ill-prepared me for the explosion of competing and, at first, discordant sensations this meal contained. That appetizer, pictured above, had a heat that numbed the lips, setting the tone for the spices to fight it out with the sweetly flavored slices of chicken: it was like lighting a match under an icicle. Suffice it to say, it was the type of (exceedingly rare) meal where you are already mentally recalling which items from the menu you will need to try next time, and the time after. But mostly you are transfixed by what is happening around you and inside you.

And then it’s over. You don’t linger; in part because you are able to see the line extending out the door, and mostly because once it looks like you’re done, the wait staff lets you know you’re done. They may have filled my water glass three times in an hour but they came back to see if we’d eaten our last bites five or six times. “We get the picture,” we would have said if our insensate tongues could form the words. Getting to the front door was a combination of concentrated effort (it was difficult to walk) and amusement (looking at all the eager faces of imminent diners who could read their futures in the strands of sweat dropping from my steaming dome). Getting to the car was a commitment. Thinking about following this meal with the beers we intended to drink was, inconceivably, inconceivable. And, being in a college town, we gave it the old college try. It wasn’t happening. Barlow The Brewer and I could barely finish our post-meal pints, and that has to be a first in our collective life stories. The only thing left was to call it a night and make the long, lonely drive back to the Chang-less city I call home.

Even as I sent the obligatory message, ruminating about available weekends for subsequent road trips, I had a feeling (based mostly on Chang’s notorious history, detailed in Kliman’s article) that he could not be long for C’Ville. A line out the door at 5:20 P.M. at an establishment without a bouncer means it has reached a tipping point. How long before Chang, compelled by his own internal mechanisms, or genuinely burnt out from a ceaseless crowd of insatiable clients, packed up his proverbial knives and went? How many more meals can I squeeze in, I wondered. Can we carry this dream through the end of summer?

Any questions?

Turns out my sense of urgency was well-warranted: Chang has left the building. We were there for his last shift.

This hurts. And, if you live in or around Charlottesville, it hurts you more than it does me. You missed your chance.

Or are you the lucky ones who will never have to wonder and worry if you’ll get another opportunity to have a meal that looks like this?

I am confident Chang and I will meet again.

Until then, I’m grateful that I had the opportunity to taste China the way he intended.

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Nello Ferrara, R.I.P.

Nello Ferrara invented the Atomic Fireball, the Lemonhead, the Boston Baked Bean and the Black Forest Gummi Bear.

What, exactly, have you done with your life?

Check out this obituary, which amply describes a remarkable life, well-lived. (In other words, in addition to bringing countless little kids joy and their dentists second homes, he was by all accounts a happy, generous, friendly fellow. Do they make humans like this anymore?)

Having written, with neither irony nor (I hope) mawkish nostalgia, I’ve invoked the American Dream (itself mostly myth, but a genuine impetus for improvement and progress in a previous incarnation of our country), and if Don Cornelius and Ben Gazzara illustrate crucial aspects of this ideal –and they do– than Nello Ferrara is practically the dictionary definition of the 20th Century alchemy that turned opportunistic (and honest?) immigrants into wealthy, respectable and influential citizens:

Mr. Ferrara grew up around Halsted and Taylor Street. When he was 7 or 8, “They used to have tour buses that would go down Taylor Street and show the tourists the old Italian neighborhood,” his son said. “He would stand by the door of the bus and he would start to sing. Every day he would make a dollar or two. He would sing old Italian songs, ‘O Sole Mio.’ ”

He had to repeat first grade “because they said he didn’t speak English well enough,” his son said. But Mr. Ferrara went on to attend St. Ignatius College Prep and DePaul University law school.

After the war, he returned home and practiced law. “My mother was a legal secretary working for another lawyer,” said his daughter, Nella Davy. “One day he went over there to pick up a brief that she was typing and he just fell in love with her.” He and Marilyn were wed 63 years.

Mr. Ferrara joined the family business, where he developed Lemonheads in 1962. He joked he came up with the idea because his son was born with a head shaped like a lemon.

With sincere respect and appreciation, a significant chunk of my childhood (and an impressive portion of my allowance money) bows deeply to this amazing American.

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